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《住在砖墙里的作家》

2011-09-06 16:26:54  来源:国际在线  编辑:徐天球   


海报

  出品/Product:直观工作室-VISUAL STUDIO

  编导/Director-Screenwriter:林春园-Coco Camillelin

  林春园 · 直观工作室 · 实验剧场作品/Experimental Theater

  故事梗概:

  一位患有“边缘性格障碍”的作家在“砖墙”里和书中的作家们“似话非话”,探讨书中人物、事件、环境的“创造”与“被创造”。“意愿”与“真实”,“现实”与“虚拟”。“被论”世界与“实质”精神;那个更残酷?自己/他人即是地狱?一个作家,随着“砖墙”的砌成,一个理想世界是否也随之成立?

  Introduction

  An author diagnosed with borderline personality disorder seems talk but not talk to authors inside books about the character, event, create an environment and created by environment in the wall. Which one is crueler, wish or true, truth and virtual, antinomy world or substance mine? Is Himself or others hell? As the wall was built, would the ideal world be build up by the author?

  导演介绍:

  林春园-(导演/编剧)(Director/Writer):

  直观工作室艺术总监,直观工作室创始人,多重领域创作:架上绘画、空间装置、实验影像、戏剧编导。

  Visual studio art director, intuitive, multiple fields founder studio creation: on-canvas, space device, the image, drama director.

  自幼研习国画,大学修读油画,后旅学法国。现从事实验小剧场创作,尝试运用多重潜意识构建专属林氏风格的“直观戏剧”。多个作品曾参与国内外多个艺术节与戏剧节。

  Study the traditional Chinese painting, the university in painting, a French after learning. Now engaged in the experimental theater creation, try to use multiple subconscious construction style of "exclusive lam intuitive." drama Experiment works participated in the art festival at home and abroad with theatre festival.

  独立制作出品:

  Independent production product:

  《戏游记》之“香·体”、 [RECORD UNCONSCIOUS—“OLFACTORY MEMORY”]、《一个主画面的数字死亡现场》、[DISORDER]、《住在砖墙里的作家》、[THE WALLMAN]。

  导演的话:

  Director of words:

  对于《住在砖墙里的作家》这个戏,我是导演,也是编剧,更是空间装置设计,几乎只想让观众平静内心看戏就好,戏里面的音乐,灯光,布景,道具,人物,影像,声音,已经诠释了我所想要说的一切,如果可以的话,我什么都不想说了,这是我内心最本真的意愿,唯一的希望观众要关爱演员们,我很爱他们,他们都用生命来演绎真实灵魂,用灵魂来记录了现实,感恩!

  For the living in the brick wall of the writer of this play, I is director and screenwriter, more space is almost just want to let the equipment design, the audience calm heart theatre, play music, the inside of the light, the sets, props, character, video, voice, has explained the I want to say, all if I may, I what all don't want to say, this is my heart of the will of the most essential, and the only hope that the audience should care about the actors, I love them very much, their use of life to deduce the real soul, the soul to record with reality, Thanksgiving!

  这出戏的前因后果逻辑关系大致是这样的。

  The play the causes and effects of logical relationship is roughly such.

  剧中有:中年作家,青年作家,少年作家三个角色人物,一个作家的三个人生阶段,现实生活与内心世界的潜意识立体剖析,配置影像呈现梦境里的片断纪实。

  A: the middle-aged writer, young writer, young writer three characters, a writer's three life stage, real life and the inner world subconscious analysis, image presents three-dimensional configuration dreams fragments documentary.

  在排练这出剧的过程中,调查研究了大量关于“边缘性格障碍”的艺术家,里面涉及到:作家,音乐家,画家,诗人,哲学家。

  In the play rehearsal in the process of investigation and study, the large quantities of "personality disorder" artist of the edge, which involves: writers, musicians, artists, poets and philosophers.

  谨以此剧献给:

  And to this to:

  置身于苦难与阳光之间的人。

  Place oneself in suffering and sunshine people between.

  或许,其中的你,我,他,

  Perhaps, one of the you, he and I,

  主创名单:

  出品/Product:直观工作室-VISUAL STUDIO

  编导/Director-Screenwriter:林春园-Coco Camillelin

  助理/ Assistant:李娟- Li juan

  演员/Actor:汪晶晶-Wang Jingjing、江南藜果- Jiangnanliguo

  声音/ Sound performance:林春园-Coco Camillelin

  影像/Image:冯舜旭-Feng Shunxu

  剧照/Stage photo:李乐为- Li Lewei

  技术/Technology:汤英敏- Tan g Yingmin、Marco 罗

  舞美/Stage Design:林春园-Coco Camillelin

  鸣谢支持/Acknowledgememt:

  视觉艺术家/ Visual Artist:刘庆元-Liu Qingyuan

  演员-汪晶晶:

  自由撰稿人,自由画人,业余戏剧工作者。 Freelance writer, drawing human freedom, amateur theatre worker.

  演员-江南藜果:

  在广州水边吧做戏十二载,参与作品二十几件。

  Has been engaged in theatrical creation mainly in Watersidebar Guangzhou since 1998。

  影像-冯舜旭:

  自编自导短片作品《峰与珊的故事》。

  任获温哥华电影节评委大奖电影作品《山清水秀》摄影助理、剪辑师。

  执行导演、摄影、剪辑校园青春电影《What is love》。

  导演、制作校园话剧《最后一场戏》。

  执行制作实验短片《若即若离》。

  执行制作故事长片《风花雪月》。

  任获鹿特丹电影节和釜山电影节PPP计划支助的电影作品《举自尘土》场记、剪辑师。

  版画-刘庆元:

  1972年生于重庆, 1996年毕业于广州美术学院版画系。

  2010年 第七届深圳国际水墨双年展,华美术馆 中国 深圳

  2010年 第八届上海双年展,上海美术馆 中国 上海

  2010年 传播的图与转译的像,伊比利亚当代艺术中心 中国 北京

  2010年 对流?大芬国际当代艺术展,深圳大芬美术馆 中国 深圳

  2010年 DO MY STUFF—当代艺术在广东,广州53美术馆

  2010年 urban utopia –城市乌托邦,瑞士日内瓦Charly Bailly gallery

  2010年 广东广东—一种地方性的博物志,广州扉艺廊 香港艺穗会 香港赛马会创意艺术中心

  “让他站不起来的是一种沉重,一种在任何情况下却得到保障的感觉,对一个床铺的预感,那是为他准备的,只属于他自己;让他无法静卧的是一种不安,这不安把他从床上赶下去,让他无法静卧的是良心,是不停跳动的心脏,对死亡的恐惧和驳倒死亡的渴望,一起都让他无法休息,于是他又站起来。这站立与卧倒以及期间所做的偶然的,倏忽即逝的,古怪的观察便是他的生活。”

  "Let him stand up is a heavy, in any case but I get the feeling of security, to a bed that, that is the only prepared for his, belong to him; let him not repose is a kind of uneasy, this unrest from his bed, let he can't drive down the conscience, is repose is on a beating heart, the fear of death and confounded together one's desire to die, so he will not rest, so he again stand up. This stand and dirt and during the accidental, suddenly fleeting, curious observation is his life."

  “你的描述令人绝望,不过只是对分析而言,你的陈述让人看到了它的根本错误。虽然这个人站起来,又倒下去,然后再站起来,如此下去;与此同时,事情又并非如此,而且这一解释更符合真理。他是一个个体,飞翔中有休息,休息中有飞翔,二者统一在每一个个体中,每个人身上的统一,每个人身上统一的统一,如此类推,直到,就是说,直到真实的生活,而这是一描述同样也是错误的,也许比你的描述还要虚假。这一地带没有通向生活的路,而生活却一定有路通向这里。

  "Your description desperate, but only to analysis the statement of the word, you let us see the fundamental mistake. Although it this man stood up, and fell down, and then stood up, and so on; at the same time, it is not so, and this one explain more accord with the truth. He is an individual, fly in the rest of the rest, a fly, they are united in every individual, each man's unification, each person, the unity of unity, and so on, until, that is, until the real life, and this is a description is also wrong, maybe more than your description and false. The strip to the way of life without, and life but there must be way to here.

  我们就是这样迷路的。

  That is how we lost.

  摘自:卡夫卡-我的牢房--我的堡垒

  Excerpt from: kafka-my cell-my fortress

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